SBAA497B May   2021  – April 2022 PCM3120-Q1 , PCM5120-Q1 , PCM6120-Q1 , TLV320ADC3120 , TLV320ADC5120 , TLV320ADC6120

 

  1.   Trademarks
  2. 1Introduction
  3. 2Infinite Impulse Response Filters
    1. 2.1 Digital Biquad Filter
  4. 3TLV320ADCx120 and PCMx120-Q1 Digital Biquad Filters
    1. 3.1 Filter Design Using PurePath Console
      1. 3.1.1 Example Generating Programmable Biquad Coefficients Using PurePath Console
    2. 3.2 How to Generate N0, N1, N2, D1, and D2 Coefficients with a Digital Filter Design Package
    3. 3.3 Avoid Overflow Conditions
    4. 3.4 Digital Biquad Filter Allocation to Output Channel
    5. 3.5 Programmable Coefficient Registers for Digital Biquad Filters 1–6
    6. 3.6 Programmable Coefficient Registers for Digital Biquad Filters 7–12
  5. 4How to Program the Digital Biquad Filters on the TLV320ADCx120 and PCMx120-Q1
  6. 5Typical Audio Applications for Biquad Filtering
    1. 5.1 Parametric Equalizers
  7. 6Crossover Networks
  8. 7Voice Boost
  9. 8Bass Boost
  10. 9Removing 50 Hz–60 Hz Hum With Notch Filters
  11.   A Digital Filter Design Techniques
    1.     A.A Analog Filters
  12.   B Related Documentation
  13.   B Revision History

Parametric Equalizers

Cascading several parametric equalizers provide frequency shaping control of the input signal with three control settings: gain, center frequency, and bandwidth or Q-factor. Parametric equalizers control the tone and sound to flatten or match different input sources during mixing or provide particular effect to the input signal. Equalization usually compensates for the physical response of microphones or speakers, balances the tone of several instruments, or changes the timbre of an instrument since these filers provide very selective frequency adjustment during mixing or a specific range effect during recording. For example, small earbud headphones might not be able to reproduce low.