SBAA378B November   2019  – December 2023 PCM3140-Q1 , PCM5140-Q1 , PCM6140-Q1 , TLV320ADC3140 , TLV320ADC5140 , TLV320ADC6140

 

  1.   1
  2.   Abstract
  3.   Trademarks
  4. Introduction
  5. Infinite Impulse Response Filters
    1. 2.1 Digital Biquad Filter
  6. TLV320ADCx140/PCMx140-Q1 Digital Biquad Filters
    1. 3.1 Filter Design Using PurePath™ Console
      1. 3.1.1 Example Generating Programmable Biquad Coefficients Using PurePath Console
    2. 3.2 How to Generate N0, N1, N2, D1, and D2 Coefficients with a Digital Filter Design Package
    3. 3.3 Avoid Overflow Conditions
    4. 3.4 Digital Biquad FiIter Allocation to Output Channel
    5. 3.5 Programmable Coefficient Registers for Digital Biquad Filters 1–6
    6. 3.6 Programmable Coefficient Registers for Digital Biquad Filters 7–12
  7. How to Program the Digital Biquad Filters on TLV320ADCx140/PCMx140-Q1
  8. Typical Audio Applications for Biquad Filtering
    1. 5.1 Parametric Equalizers
  9. Crossover Networks
  10. Voice Boost
  11. Bass Boost
  12. Removing 50 Hz–60 Hz Hum With Notch Filters
  13. 10Revision History
  14. 11Digital Filter Design Techniques
    1. 11.1 Analog Filters

Parametric Equalizers

Cascading several parametric equalizers provide frequency shaping control of the input signal with three control settings: gain, center frequency, and bandwidth or Q-factor. Parametric equalizers control the tone and sound to flatten or match different input sources during mixing or provide particular effect to the input signal. Equalization usually compensates for the physical response of microphones or speakers, balances the tone of several instruments, or changes the timbre of an instrument since these filers provide very selective frequency adjustment during mixing or a specific range effect during recording. For example, small earbud headphones might not be able to reproduce low.