typical values at TA =
25°C, VA19 = 1.9 V, VA11 = VD11 = 1.1 V, default full-scale voltage (FS_RANGE_A =
FS_RANGE_B = 0xA000), input signal applied to INA± in single-channel modes,
fIN = 347 MHz, AIN = –1 dBFS, fCLK = 5.2GHz,
filtered, 1-VPP sine-wave clock, JMODE = 7, dither enabled with default
settings, VA11, VD11 and VS11 noise suppression ON (EN_VA11_NOISE_SUPPR = EN_VD11_NOISE_SUPPR = EN_VS11_NOISE_SUPPR = 1), and background calibration (unless otherwise
noted); SNR results exclude DC, HD2 to HD9 and interleaving spurs; SINAD, ENOB, and
SFDR results exclude DC and fixed-frequency interleaving spurs
| Relative to 0 Hz, FG
calibration |
Figure 6-1 Input
Amplitude vs Input Frequency
Figure 6-3 DNL
vs ADC Code
Figure 6-5 DES
Mode: Single Tone FFT at 347 MHz
Figure 6-7 DES
Mode: Single Tone FFT at 2397 MHz
Figure 6-9 DES
Mode: Single Tone FFT at 5597 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 6-11 DES
Mode: Two Tone FFT at 347 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 6-13 DES
Mode: Two Tone FFT at 2397 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 6-15 DES
Mode: Two Tone FFT at 5597 MHz
Figure 6-17 Dual
Channel Mode: Single Tone FFT at 347 MHz
Figure 6-19 Dual
Channel Mode: Single Tone FFT at 2397 MHz
Figure 6-21 Dual
Channel Mode: Single Tone FFT at 5597 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 6-23 Dual
Channel Mode: Two Tone FFT at 347 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 6-25 Dual
Channel Mode: Two Tone FFT at 897 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 6-27 Dual
Channel Mode: Two Tone FFT at 5597 MHz
Figure 6-29 DES
Mode: SNR vs Sample Rate
Figure 6-31 DES
Mode: SNR vs Sample Rate
Figure 6-33 DES
Mode: SFDR vs Sample Rate
Figure 6-35 DES
Mode: HD2 vs Sample Rate
Figure 6-37 DES
Mode: HD2 vs Sample Rate
Figure 6-39 DES
Mode: HD3 vs Sample Rate
Figure 6-41 DES
Mode: FS/2 - FIN vs Sample Rate
Figure 6-43 DES
Mode: FS/4 - FIN vs Sample Rate
Figure 6-45 Dual
Channel Mode: SNR vs Sample Rate
Figure 6-47 Dual
Channel Mode: SFDR vs Sample Rate
Figure 6-49 Dual
Channel Mode: SFDR vs Sample Rate
Figure 6-51 Dual
Channel Mode: HD2 vs Sample Rate
Figure 6-53 Dual
Channel Mode: HD3 vs Sample Rate
Figure 6-55 Dual
Channel Mode: HD3 vs Sample Rate
Figure 6-57 DES
Mode: SNR vs Input Amplitude
Figure 6-59 DES
Mode: SFDR vs Input Amplitude
Figure 6-61 DES
Mode: HD2 vs Input Amplitude
Figure 6-63 DES
Mode: HD3 vs Input Amplitude
Figure 6-65 DES
Mode: FS/2 - FIN vs Input Amplitude
Figure 6-67 DES
Mode: FS/4 + FIN vs Input Amplitude
Figure 6-69 DES
Mode: FS/4 - FIN vs Input Amplitude
Figure 6-71 Dual
Channel Mode: SNR vs Input Amplitude
Figure 6-73 Dual
Channel Mode: SFDR vs Input Amplitude
Figure 6-75 Dual
Channel Mode: HD2 vs Input Amplitude
Figure 6-77 Dual
Channel Mode: HD3 vs Input Amplitude
Figure 6-79 Dual
Channel Mode: FS/2 - FIN vs Input Amplitude
Figure 6-81 DES
Mode: SNR vs Clock Amplitude
Figure 6-83 Dual
Channel Mode: SNR vs Clock Amplitude
| FG calibration at each
temperature |
Figure 6-85 DES
Mode: SNR, SINAD and SFDR vs Temperature
| FG25 is calibrated at 25°C and
held at other temperatures, other modes recalibrated at
each temperature |
Figure 6-87 DES
Mode: SNR vs Temperature and Calibration
| FG calibration at each
temperature |
Figure 6-89 Dual
Channel Mode: SNR, SINAD and SFDR vs Temperature
| FG25 is calibrated at 25°C and
held at other temperatures, other modes recalibrated at
each temperature |
Figure 6-91 Dual
Channel Mode: SNR vs Temperature and Calibration
| All supplies varied
together |
Figure 6-93 DES
Mode: SNR, SINAD and SFDR vs Supply Voltage
| All supplies varied
together |
Figure 6-95 Dual
Channel Mode: SNR and SINAD vs Supply Voltage
| All supplies varied
together |
Figure 6-97 Dual
Channel Mode: HD2, HD3 and Worst Spur vs Supply Voltage
Figure 6-99 DES
Mode: FS/2-FIN, FS/4 +/-FIN vs
Input Common Mode Voltage
Figure 6-101 DES
Mode: IMD3 vs Input Amplitude
| each tone -7 dBFS, 100MHz tone
spacing, not including IMD3 spurs |
Figure 6-103 DES
Mode: Two Tone SFDR vs Input Frequency
| each tone -7 dBFS, 100MHz tone
spacing |
Figure 6-105 Dual
Channel Mode: IMD3 vs Input Frequency
Figure 6-107 Dual
Channel Mode: IMD3 vs Tone Spacing
| not including IMD3 spurs,
100MHz tone spacing |
Figure 6-109 Dual
Channel Mode: Two Tone SFDR vs Input Amplitude
Figure 6-111 DES
Mode: IVA11 vs Sample Rate
Figure 6-113 DES
Mode: Power Dissipation vs Sample Rate
Figure 6-115 Dual
Channel Mode: IVA11 vs Sample Rate
Figure 6-117 Dual
Chanel Mode: Power Dissipation vs Sample Rate
Figure 6-119 Background Calibration Core Transition (AC Signal)
Figure 6-121 Background Calibration Core Transition (DC Signal)Figure 6-123 Pulse
Overdrive Recovery Figure 6-125 Sinewave Overdrive Recovery 
| Dual channel mode, JMODE
8 |
Figure 6-2 Crosstalk vs Input Frequency 
Figure 6-4 INL
vs ADC Code
Figure 6-6 DES
Mode: Single Tone FFT at 897 MHz
Figure 6-8 DES
Mode: Single Tone FFT at 4197 MHz
Figure 6-10 DES
Mode: Single Tone FFT at 7997 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 6-12 DES
Mode: Two Tone FFT at 897 MHz
| each tone at -7dBFS, 100MHz
Tone Spacing |
Figure 6-14 DES
Mode: Two Tone FFT at 4197 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 6-16 DES
Mode: Two Tone FFT at 7997 MHz
Figure 6-18 Dual
Channel Mode: Single Tone FFT at 897 MHz
Figure 6-20 Dual
Channel Mode: Single Tone FFT at 4197 MHz
Figure 6-22 Dual
Channel Mode: Single Tone FFT at 7997 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 6-24 Dual
Channel Mode: Two Tone FFT at 897 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 6-26 Dual
Channel Mode: Two Tone FFT at 4197 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 6-28 Dual
Channel Mode: Two Tone FFT at 7997 MHz
Figure 6-30 DES
Mode: SNR vs Sample Rate
Figure 6-32 DES
Mode: SFDR vs Sample Rate
Figure 6-34 DES
Mode: SFDR vs Sample Rate
Figure 6-36 DES
Mode: HD2 vs Sample Rate
Figure 6-38 DES
Mode: HD3 vs Sample Rate
Figure 6-40 DES
Mode: HD3 vs Sample Rate
Figure 6-42 DES
Mode: FS/4 + FIN vs Sample Rate
Figure 6-44 Dual
Channel Mode: SNR vs Sample Rate
Figure 6-46 Dual
Channel Mode: SNR vs Sample Rate
Figure 6-48 Dual
Channel Mode: SFDR vs Sample Rate
Figure 6-50 Dual
Channel Mode: HD2 vs Sample Rate
Figure 6-52 Dual
Channel Mode: HD2 vs Sample Rate
Figure 6-54 Dual
Channel Mode: HD3 vs Sample Rate
Figure 6-56 Dual
Channel Mode: FS/2 - FIN vs Sample Rate
Figure 6-58 DES
Mode: SNR vs Input Amplitude and Dither
Figure 6-60 DES
Mode: SFDR vs Input Amplitude and Dither
Figure 6-62 DES
Mode: HD2 vs Input Amplitude and Dither
Figure 6-64 DES
Mode: HD3 vs Input Amplitude and Dither
Figure 6-66 DES
Mode: FS/2 - FIN vs Input Amplitude and Dither
Figure 6-68 DES
Mode: FS/4 + FIN vs Input Amplitude and Dither
Figure 6-70 DES
Mode: FS/4 - FIN vs Input Amplitude and Dither
Figure 6-72 Dual
Channel Mode: SNR vs Input Amplitude and Dither
Figure 6-74 Dual
Channel Mode: SFDR vs Input Amplitude and Dither
Figure 6-76 Dual
Channel Mode: HD2 vs Input Amplitude and Dither
Figure 6-78 Dual
Channel Mode: HD3 vs Input Amplitude and Dither
Figure 6-80 Dual
Channel Mode: FS/2 - FIN vs Input Amplitude and
Dither
Figure 6-82 DES
Mode: SFDR vs Clock Amplitude
Figure 6-84 Dual
Channel Mode: SFDR vs Clock Amplitude
| FG calibration at each
temperature |
Figure 6-86 DES
Mode: HD2, HD3 and Worst Spur vs Temperature
| FG25 is calibrated at 25°C and
held at other temperatures, other modes recalibrated at
each temperature |
Figure 6-88 DES
Mode: SFDR vs Temperature and Calibration
| FG calibration at each
temperature |
Figure 6-90 Dual
Channel Mode: HD2, HD3 and Worst Spur vs Temperature
| FG25 is calibrated at 25°C and
held at other temperatures, other modes recalibrated at
each temperature |
Figure 6-92 Dual
Channel Mode: SFDR vs Temperature and Calibration
| All supplies varied
together |
Figure 6-94 DES
Mode: HD2, HD3 and Worst Spur vs Supply Voltage
| All supplies varied
together |
Figure 6-96 Dual
Channel Mode: SFDR vs Supply Voltage
Figure 6-98 DES
Mode: SNR, SFDR and SINAD vs Input Common Mode Voltage
| each tone -7dBFS, 100MHz tone
spacing |
Figure 6-100 DES
Mode: IMD3 vs Input Frequency
Figure 6-102 DES
Mode: IMD3 vs Tone Spacing
| not including IMD3 spurs,
100MHz tone spacing |
Figure 6-104 DES
Mode: Two Tone SFDR vs Input Amplitude
| each tone -7 dBFS, 100MHz tone
spacing |
Figure 6-106 Dual
Channel Mode: IMD3 vs Input Amplitude
| each tone -7 dBFS, 100MHz tone
spacing, not including IMD3 spurs |
Figure 6-108 Dual
Channel Mode: Two Tone SFDR vs Input FrequencyFigure 6-110 DES
Mode: IVA19 vs Sample Rate 
Figure 6-112 DES
Mode: IVD11 vs Sample RateFigure 6-114 Dual
Channel Mode: IVA19 vs Sample Rate 
Figure 6-116 Dual
Channel Mode: IVD11 vs Sample Rate
| JMODES 7 (DES) and 8 (Dual
Channel) |
Figure 6-118 Power
Dissipation vs Temperature
Figure 6-120 Background Calibration Core Transition (AC Signal Zoomed)
Figure 6-122 Background Calibration Core Transition (DC Signal Zoomed)Figure 6-124 Pulse
Overdrive Recovery Zoomed Figure 6-126 Sinewave Overdrive Recovery