JAJSFC6C May 2015 – April 2018 ADS52J90
PRODUCTION DATA.
fIN = 5 MHz, fC = 100 MSPS, SNR = 61.5 dBFS,
SFDR = 81.9 dBc, HD2 = –86.5 dBc, HD3 = –93.9 dBc |
fIN = 5 MHz, fC = 100 MSPS, SNR = 61.3 dBFS,
SFDR = 70.8 dBc, HD2 = –94.2 dBc, HD3 = –80.1 dBc |
fIN = 5 MHz, fC = 80 MSPS, SNR = 70.2 dBFS, SFDR = 75.4 dBc, HD2 = –109.8 dBc, HD3 = –86.1 dBc |
fIN = 5 MHz, fC = 65 MSPS, SNR = 73.4 dBFS, SFDR = 80.2 dBc, HD2 = –88.7 dBc, HD3 = –93.9 dBc |
fSAMP = 100 MSPS |
fSAMP = 40 MSPS |
fSAMP = 32.5 MSPS |
100-MSPS conversion clock |
100-MSPS conversion clock |
fSAMP = 100 MSPS |
16-input mode, 14-bit resolution, fSAMP = 65 MSPS |
16-input mode, 14-bit resolution, fSAMP = 65 MSPS |
16-input mode, 14-bit resolution, fSAMP = 65 MSPS | ||
space | ||
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32-input mode, 14-bit resolution, fSAMP = 32.5 MSPS |
32-input mode, 14-bit resolution, fSAMP = 32.5 MSPS, 100-mVPP tone on supply | ||
32-input mode, 14-bit resolution, fSAMP = 32.5 MSPS, 50-mVPP common-mode tone applied at the inputs, output tone referred to the input tone |
32-input mode, 10-bit resolution |
32-input mode, 10-bit resolution |
Statistical values taken over 100 devices in 14-bit, 32-input mode at fSAMP = 32.5 MSPS |
fIN = 5 MHz, fC = 100 MSPS, SNR = 61.6 dBFS,
SFDR = 78.7 dBc, HD2 = –97.6 dBc, HD3 = –92.2 dBc |
fIN = 5 MHz, fC = 80 MSPS, SNR = 69.9 dBFS, SFDR = 82.6 dBc, HD2 = –82.6 dBc, HD3 = –88.9 dBc |
fIN = 5 MHz, fC = 65 MSPS, SNR = 73.7 dBFS, SFDR = 91.8 dBc, HD2 = –96.6 dBc, HD3 = –97.2 dBc |
fSAMP = 50 MSPS | ||
fSAMP = 200 MSPS |
fSAMP = 80 MSPS |
fSAMP = 65 MSPS |
100-MSPS conversion clock |
fSAMP = 200 MSPS |
fSAMP = 200 MSPS |
32-input mode, 14-bit resolution, fSAMP = 32.5 MSPS |
16-input mode, 14-bit resolution, fSAMP = 65 MSPS |
32-input mode, 14-bit resolution, fSAMP = 32.5 MSPS, –1-dBFS tone applied on one channel and spur on neighboring channel measured as crosstalk | ||
32-input mode, 14-bit resolution, fSAMP = 32.5 MSPS |
32-input mode; 14-bit resolution; fSAMP = 32.5 MSPS; 100-mVPP tone on supply; 5-MHz, –1-dBFS tone on input; PSMR is intermodulation tone referred to input tone amplitude |
32-input mode, 10-bit resolution | ||
32-input mode, 10-bit resolution |
16-input mode, 12-bit resolution | ||